Obidients and myth of decorum

Bruce Malogo
9 Min Read

Nigeria’s ruling oligarchy loves the language of decorum. Not because they are decorous and responsible, but because it keeps their victims quiet. In the few years since the Obidient Movement emerged, the gatekeepers of this system have wrung their hands over its backing of Mr. Peter Obi. They routinely decry his supporters as brash, intemperate and digitally vitriolic. But this fixation on civility is a deliberate misdirection. It is the panic of an elite hearing its chickens come home to roost.

To understand the times, we must look beyond the loathing and the tantrums of the antagonists. The fierce, uncompromising posture of these mostly young Nigerians is not a defect of character; it is the righteous reflex of a generation duped, deprived and abandoned to inherited hopelessness. Their relentless roar is not senseless noise; it is the deliberate shattering of an oppressive decorum. It is a refusal to speak politely to a system that has spent generations stealing their future. They have watched successive governments auction off that future and, in Obi, have found the catalyst to burn the old contract down.

To the ruling class, a grassroots phenomenon is often dismissed as a cheap gimmick, a superficial stunt without substance. The establishment and its apologists mock the movement’s lack of structure, famously dismissing it as a phantom – “just four people tweeting in a room.” But in the theatre of resistance, what they dismiss as a stunt, functions as a profound sociological intervention – a deliberate, highly visible device used by the marginalized to shift power dynamics, shock the oppressor and affirm identity. The Obidient Movement has forged a brilliant symbolic armour out of these tactical devices.

Within this landscape of resistance, Obi represents a distinct psychological function; a new kind of political faith. His followers are acutely aware that he is neither a fiery demagogue nor the most gifted in the department of elocution. He lacks the theatrical, grandiloquent magnetism traditionally deployed by the political class to hypnotize the masses. Yet, it is precisely within this lack that his power resides. In an environment saturated with rhetorical falsehoods, his unvarnished, austere presentation is embraced as the hallmark of absolute transparency. Such, to them, is the character of a man simply fit for the job.

To his supporters, he is the vicarious bearer of a collective national yearning, the humble yet worthy vessel for a long-deferred dream. In a turbulent ocean of self-seeking, power-mongering and vainglorious politicians, he stands out as a solitary island of basic decency. To a generation weary of performativerulers, he is the unlikely figure lifting the rod to part the sea of systemic failure and usher in a new Nigeria.

The true potency of this movement – and the reason it is dreaded by the ruling establishment – lies in its radical defiance of Nigeria’s traditional political math. It refuses to be neatly put in a box. The attraction it commands is not rooted in the weaponized divisions of ethnicity, the polarizing dogmas of religion, or the rigid walls of social class. Instead, the movement has become a vast melting pot, gathering Nigerians from all these disparate stripes into a single, cohesive consciousness.

By dissolving the very fault lines that the ruling elite have historically used to divide and rule, the movement turns the established geometry of power on its head. It poses an existential threat to the old guard precisely because it cannot be bought with the usual tribal appeasements or silenced by sectarian bribes. The establishment dreads this movement not because it is chaotic, but because its cross-cultural unity represents the ultimate undoing of their power.

To be sure, this vanguard does, at times, go overboard. Their rhetoric can cut too close to the bone; their digital campaigns can boil over into unbridled ferocity and targeted vitriol. These excesses are real, and they occasionally muddy the democratic waters. Yet, to condemn these outbursts without analysing their root cause is short-sighted.

In the current 2026 landscape, that anger has only been compounded by the aftermath of the 2023 elections. The ruling elite celebrated their transactional victory as a return to business-as-usual, expecting the youth to retreat into quiet compliance. Instead, years of unprecedented economic hardship, skyrocketing inflation and the systematic strangulation of the middle class have turned that initial frustration into a hardened, multi-ethnic resistance.

When a system strips a populace of its voice, weaponizes poverty and closes every traditional avenue of institutional redress, it leaves the people with no other forum than the digital arena to express their profound angst. Their aggression is not a gratuitous choice; it is the raw, defensive scream of a demographic backed into a corner, refusing to let the status quo normalize their despair as the nation marches towards 2027.

Far from being naive, the youth are acutely aware of the asymmetrical warfare waged against them. They are fighting a system that has weaponized state machinery and tribal pandering to suppress their aspirations. Denied access to traditional levers of power, the Obidient Movement has turned digital spaces into its frontline, wielding a weapon the establishment completely misunderstands: a potent lexicon of resistance. 

Slogans like “We no dey give shishi“ radically subverted Nigeria’s deeply entrenched culture of transactional politics, transforming prudence and financial transparency into a badge of honour. When you hear, “Obi or nothing,” you feel the weight of an unyielding collective resolve, a defining cry that turned a standard political choice into an infectious movement of hope. Through the ubiquitous directive to “Go and verify,” the movement weaponized data and record-checking against the historically unverified, deceptive rhetoric of establishment politicians.

These are not merely catchy phrases; they are structural interventions that mirror the tactical manoeuvres of the American Black Power Movement of the 1960s. When African Americans faced a weaponized, oppressive system, they created their own counter-culture of affirmation and defiance. They traded Eurocentric grooming for the Afro, transforming natural hair into a radical symbol of self-worth. They adopted the clenched fist salute – immortalized at the 1968 Olympics – as a universal visual shorthand for unflinching solidarity.

Slogans like “Black is Beautiful” and “I’m Black and Proud” were deliberately deployed to shock a white supremacist status quo and de-programme a traumatized populace. Similarly, the ObidientMovement uses its own digital symbols, avatars and pidgin idioms as calculated subversive tropes to shock the Nigerian establishment, affirm collective dignity and build an insular psychological fortress against state intimidation. 

This digital-first, youth-led rebellion also connects to a broader global DNA of 21st-century democratic disruptions. The movement shares a striking framework with Hong Kong’s Umbrella Movement, where citizens adapted ordinary objects into symbols of protection and utilized decentralized digital communication to outmaneuvre state surveillance. It also draws direct parallels to Sudan’s 2019 Revolution, where a long-deprived youth population shattered decades of military dictatorship through sheer, unrelenting street and online mobilization.

What critics label “lousy” or “abusive” is the necessary friction of an oppressed populace refusing to negotiate its own subjugation. When a system weaponizes the state against its citizens, compliance becomes complicity. The Obidient Movement is a sophisticated, revolutionary refusal to submit. It is a generation clenching its digital fist, speaking its own truth, and rewriting the terms of Nigerian citizenship.

Malogo is a director at Oscar and Halliday Media Company and a member of the Nigerian Guild of Editors (NGE) bruce.malogo@gmail.com

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